Skip to content

Cast

Cast published on

Main Cast

Beck Martin Beck
The lead character of our tale. Beck has recently graduated from college and he’s living in an apartment with his best friend and ex girlfriend (how sitcom-ish!). With no luck finding a job in his chosen field Beck falls ass backwards into a job at the Local Comic Shop(LCS, get it?), almost as if it were destined to be.
Ed Ed Adams
Beck’s best friend and roommate. Ed’s carefree attitude and lack of anything resembling shame or common sense invariably lead him and his friends into wacky schemes and idiotic stunts. He also has a fondness for wear costumes
Mickey Michiko “Mickey” Tezuka
Beck’s lesbian ex-girlfriend who came out of the closet mid-coitus. The two have maintained a strong friendship and now live together. Unlike Beck, she is still a senior in college.
Everett Everett Williams
The Randall to Beck’s Dante. Everett is Beck’s vitriolic coworker at The Stack. Always ready to voice his opinion and sling insults when he deems necessary. It’s ALWAYS necessary.
Grace Grace Perez
The girl from the Local Coffee Shop (Hey LCS that works too) who falls for Ed’s buffoonery and becomes his special lady friend.
Katie Katie Eisner
The daughter of the Stack’s former owner. What she lack in comic book knowledge she makes up for by being business savvy and a tough employer.

 

Supporting Characters

Don Eisner
Don
Heather
Heather
Amy
Amy
Ellen
Ellen
BobBob Bob’s Wife
BobsWife
Nathan Houde
Houde
Neil Neil
Erin Adams
Erin
Professor Whiskers
ProfWhis
Jesus
Jesus
Derwood
Derwood

 

#20: Back on the Horse

#20: Back on the Horse published on No Comments on #20: Back on the Horse

Mike: So apparently in High School on May 4th, 2005 my senior year our school had a thing where we would write a letter to ourselves and it would be delivered five years from then. I had received this letter while drawing this comic. So lets reveal some highlights: “Dear my future, now present, self, How’s it hangin’? Hope all is well in the now present future.” (I refer to and from myself using as many time tenses as possible) “So do I think this is just as stupid to write in the now present?” (yes) Now usually when I’m forced to write something like this I tend to just write the first thing on my mind, one of these horribly depressed me, “I also hope Spider-man 3 would be wicked sweet as expected” Oh young me, so full of hope…

Overall this really doesn’t amaze me or fill me with nostalgic feelings. I do chuckle at my sense of humor and the random tidbits I threw in, but overall I still know my personality has not changed in the past decade, I’m just a little wiser and a lot older. The only thing this made me go “wow” was remember I am now living at the time when the United States has a black present, something I would not expect seeing until I was much older. In fact saying that we have a black president still brings a smile to my face. So even though I haven’t change and probably won’t change that much five years from now. It still gives my hope that the future may be just a little bit better.

James: I didn’t write myself a letter 5 years ago. So I don’t have much to add.

#19: Does Whatever A Mopey Bitch Can

#19: Does Whatever A Mopey Bitch Can published on No Comments on #19: Does Whatever A Mopey Bitch Can

Mike: I generally disapprove of the reboot mainly because it seems to be replacing remakes as the shining example of Hollywood’s inability to be creative. Though most reboot that have happen have been great, I’ve always felt that a sequel could easily fix any problem the original had. You can change directors, change actors, but don’t redo a story. The Incredible Hulk is a good example of reboot done right. It could have easily been a sequel to Ang Lee’s HULK without losing anything that made it great. I preform a Requel than reboot any day of the week. In the case of Spider-man, Spider-man 3 left such a bad taste in my mouth I have almost not motivation to watch Spectacular Spider-man even though it’s a fantastic series. So I’m okay with them rebooting it. But when FOX announces they wish to reboot Fantastic Four to make it “Darker” and “Edgier” it fills me with a murderous rage. Sure the first two weren’t masterpieces but they were still fairly good, dammit. I just hope this trend doesn’t go crazy, but as long as we aren’t watching the same story over and over I can live with it.

James: I’m at the other end of the spectrum. I’m psyched about the Spider-Man reboot and looking forward to seeing a new take on the old webhead. I was in high school when the first Spider-Man hit the big screen and I loved every second of it. How could I not? Even though I wouldn’t get into the comic books themselves for a few years, I grew up on the 90’s cartoon and the video games that the crappy 90’s comics spawned. Separation Anxiety, bitches! But of course, the thing that really put the movie over the top was the CGI. Spider-Man looked amazing as he swung through New York. The original Superman movie’s tag was “You’ll Believe A Man Can Fly!” Well, Spider-Man made us believe a man could webswing. And that was all it really needed to do to make box office history. The melodrama, while a little over the top, worked because his origin story is inherently quite sad. The same melodrama was decidedly less effective in Spider-Man 2, but the movie was carried by the performance of Alfred Molina who played a magnificent Otto Octavius. In the third movie Sam Raimi’s same old, same old was coupled with 3 terribly uninteresting baddies and the whole thing collapsed under the weight of its own FAIL. There was no foreseeable way to continue the series beyond that point. Seriously, which of Spidey’s 3rd tier villains would you trot out there to kidnap MJ in the fourth movie?

I love Sam Raimi. The man gave us The Evil Dead, for fuck’s sake. But his Spider-Man wasn’t any fun. It tried to be fun. Pete danced! That’s fun, right? No, that was just ANOTHER lead in to Pete and MJ drama. Cause we hadn’t seen enough of that. I hope Marc Webb learns from Iron Man’s recent box office success (more on that soon) and gives us a Peter Parker whose life isn’t a swirling emo-storm. Superhero comics, grimdark stalwarts like Batman and Punisher aside, are inherently silly and fun adventure stories. The movies should be the same. There’s no reason to fight the source material like that. When you do you end up with Spider-Man 3 or Superman Returns, movies that took themselves way too seriously and bored millions of people so badly that they had to be rebooted.

Primary Sidebar